Tag Archives: short stories

Beth Sherman

Beth Sherman has an MFA in creative writing from Queens College, where she teaches in the English department. Her poetry has been published in Hawaii Pacific Review, Hartskill Review, Lime Hawk, Synecdoche, Gyroscope and The Evansville Review, which nominated her poem, “Minor Planets” for a Pushcart Prize. Her fiction has been published in Portland Review, Black Fox Literary Magazine, KYSO, Sandy River Review and Panoplyzine and is forthcoming in Delmarva Review and Joyce Quarterly. She has also written five mystery novels.

 

Between

Say you’re on the Downtown IRT – one of the new trains that stretches in both directions as far as the eye can see, lurching along underground like a demented caterpillar, and it’s so crowded people are pressed up against each other and you happen to see a man reach his hand into the Michael Kors bag of a woman standing to your left. You know it’s a Michael Kors because your ex-wife is a publicist whose firm specializes in accessories and one of the perks of her job, which doesn’t pay much and entails long hours, is getting freebies from overpriced fashion companies: Burberry wallets. Calvin Klein scarves, Marc Jacobs belts. Your ex-wife would walk through the door, carrying her latest acquisition and you would look up from your laptop and grin because you were damn glad to see her. Maybe you’d run her bath water or pour her a glass of Chardonnay, the expensive kind because she liked the taste of money.

You can’t identify the precise moment when things changed. There was Before, when she still loved you. And After, when she left – on a Tuesday evening in April when you’d come in from playing softball in Morningside Park, with mud on your cheek from sliding into second base too hard. You noticed the mud when you went to hug her goodbye and some of it got on her forehead. Before and After. But the part that really mattered happened in between.

If you could go back you would search for it in the hollow place in bed where she slept next to you, her stomach curled against your back like a question mark. You would look in the spaces between her smiles. You’d examine the silences that you once took for quiet compatibility but now flash like traffic lights you sped right through. You would have had a beautiful life together. The life you envisioned on your wedding day, standing under a chuppah in the Ballroom at the Plaza Hotel surrounded by 250 people, the men in black tie, the women in tight black dresses, listening to the rabbi saying the two of you were bashert, meant to be, and trying not to worry about how much the evening was going to cost.

Now you question everything. What you see with your own eyes, what you fail to see.

The man on the train reaches into the bag and you’re thinking you could call him out and be a hero and maybe the woman would be so grateful she’d offer to buy you coffee and the two of you would hit it off and start dating and fall in love, the whole process starting again but cleaner this time, more satisfying.

The man’s hand disappears and appears again. You never see the wallet.

At the next stop, the woman gets off the train and so do you, keeping her in sight amid the horde of commuters, like a birddog beginning the hunt.

Meg Tuite

Meg Tuite is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and five chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale. She teaches at Santa Fe Community College, and is a columnist at Connotation Press and JMWW. Her blog resides at: http://megtuite.com

 

Hollow Gestures

Beth takes the bus to a workshop on setting boundaries. Shoes are lined up outside an entrance with a wooden sign that says, Tae Kwon Do. She slips off her gray slippers, walks inside. A group of ten women sit on pillows in a huge, open warehouse. She slides down on a pillow, looks around. Some of these women are antiques: dusty, hidden treasures, but for the smell of mothballs. They are lost in their bones, hands that detour, divert around a mosquito bite they can’t quite locate. They must have a hard time with maps like her. One girl is the border patrol. Her head bobbles a full-on affirmative every time the therapist speaks. She writes in a notebook as though the circumference of her being will slip away if she doesn’t frame it in print. One girl verges on a barbed fence of tears that rim her weary, pink eyes. The therapist begins another landmark statement on how to climb over the so-called ‘dead limbs’ that have stifled them in their past and mark their new terrain, piss on it. One girl’s perimeter closes into a knife of a smile as pee that was in her bladder changes its mind and sucks back into her kidneys.

The therapist says they are going to perform some exercises. The first exercise is to stake the fence. When he gets too close they should say ‘stop’, but not just some half-assed stop, more like screeching up to a yellow light just as it turns red instead of a stop sign. He says, hold up your hand, belt it out. He lays his hairy fingers, spread eagle, on his belly and blasts it out in operatic baritone. STOP! Bark it out like a dog protecting his territory, he says. The women stare at him. He paces back and forth, his storm cloud getting larger as his gestures bank the walls of any frontier, conducting an explosive outpost that frightens Beth as she battles the inner prison that withers her. Don’t be shy, he says. This is a safe place to explore those core emotions of rage, grief and fear. He lifts his tufted knuckles, curls them at the group, lifts his chin and howls. The women snicker and wheeze on either side of Beth. A strange sound like a person dying gurgles from her throat. Okay, the therapist says. Who’s going to go first? Border patrol is still writing notes. The rest of them look around the radius of the group without making eye contact. They remain still, sacks of rice. The massive room smells of unwashed bodies and terror. The therapist lifts his impressive eyebrows, beastly strands long enough to cover the empty patch where a hairline should have been, and studies each one of them. Come on, ladies. This is going to change your lives, he says as he claps. The eyebrows waver.

I remember I was scared shitless, walking on the ice across Lake Michigan in the middle of February with my friend, Joyce, and my little sister, Eliza. We followed Joyce’s rocky lead as she screeched at us, ‘It’s going to change your life.’ Something her dad always said. He was a fat, old lawyer with a swollen face and body, mean as hell. “You,” he’d say, pointing at me. “What are you going to do? Make pancakes for the rest of your life or become something?” I didn’t know what he meant. My mom made my pancakes. I was only twelve at the time. What was I going to do? Probably die before I got to high school hanging out with his daughter. Joyce had dared me to jump across three-story roofs, pretend I was blind, run into people on the street, shoplift and once I even stole a hubcap off of a cop car just to hear her frantic high-pitched giggle. God, I loved her.

Beth’s hand raises itself slowly like some fucking flag on the Fourth of July.

Great, come on up, says the therapist. Her head shakes as she takes her place beside the excited man and looks out at an expanse of glassy eyes that flicker in and out of vision. He smells better than he looks; some kind of incense permeates him. She wonders if he’s a Buddhist. Remember, this is about boundaries. Is there anyone in your life that you haven’t been able to say no to? Was he kidding her with this? She nods, hears that demented cackle of Joyce’s again. Okay, she says. Let’s do this.

The therapist walks away from Beth across the wood floor. He is talking as he recedes. Try to visualize that person in your mind. Forget about everything else. She hears scratch marks of Border Patrol’s pen. The rest of them barely breathe. When he is around 50 feet away from Beth he stops, turns toward her. Her heart palpates around the periphery of the building as she huddles inside the fog of her body. She can’t feel her feet under her when this man starts to run.

Joyce pushes me, giggling, and I push Eliza. “Come on,” Joyce says, “let’s get to Michigan.” It’s all thunder. Blinding acres of white sky and storm sheen glazed ice as far as I can see and I’ve got the whole day to get to Michigan. I’m an explorer. Few have barely touched the frozen shoreline and never come close to passing the buoy. The three of us are well beyond that. Eliza is all breath, complacency and silence in her shiny parka and matted hood. Joyce and I don’t wear hats. We stuff them in our pockets as soon as we are past parental range. Joyce’s ears are purple rafts on either side of her white pigtails. I can’t feel my ears, and snot has frozen little spitballs in my nose. The wind is one long, empty moan. Everything is glass, muffled grunts, moldering dead fish and wind that feels like it could gut me. I see some jaggedy, thin spots of ice that look like you could fall right through. Joyce talks but her words are weathered blind. We are in Antarctica, the lone survivors of a ship caged in and swallowed by two icebergs. We are down to two Snickers bars, a pack of Doublemint gum, and four Kents I swiped from Mom’s purse. We will have to eat snow when we are thirsty. The globe is all-invading and disfigured. I wonder if we should turn back. It’s a long way back to land. Eliza hasn’t said a word. She looks numb. There are no curves except Joyce’s mouth, still a dripping stalactite of gutted insults. Patsy wets her bed; Ellen has like fifty teeth in her mouth, have you noticed? Jesus. And Cynthia? You think her or her brothers know anything about soap? Joyce keeps tabs on her traitors. They rarely thwart her, but the worst actually have the nerve to ignore her. She is her own continent.

I hear the crack. Eliza drops like the branch of a tree. She is under ice. I scream, grab at her sleeve with the red mitten dangling from its clip. Her face is murky and gray under frozen water. I see bubbles. I bite my tongue until it bleeds, catch a hold of her parka and pull. A sagging handful of blue cloth breathes the air, steam rises off of it as the face beneath fogs into quivering ripples. The reek of black, stagnant water and the poison stillness gasps as the water starts to win. The blue coat is heavier, darker, slithers between my throbbing, pathetic grip. Eliza echoes from the shores of Chicago all the way to Michigan over and over. Eliza, I scream, but there is no world out there that answers back. Is she okay? Joyce asks. I look up into a splotchy red, under-animated face.

The man breathes hard in front of me. Why didn’t you say stop? he asks. The man sighs as if I’m an imbecile. Didn’t you hear my instructions? Why didn’t I say stop? Why did I ever go? I slap him hard across the face. Red garnishes the surface across his cheek.

The stifled room begins to erupt. Ladies unchain from whatever hems them in. They jump up, growl and yell. Beth sees their mouths open, one cavernous hollow that will never be filled. They’re all hopped up on adrenaline surging new life into them. Beth is feeling it, too. She can hear curses pelting her as she staggers out the door.

Eliza was only seven when she drowned. The splintered parts of Beth scream for vodka. She still hears rumbling, animated voices coming from inside the seminar. She sits down on the bench, studies the crowd of shoes, picks out purple sandals with some jewels on top and a two-inch heel that actually fit. To hell with the ratty, gray slippers. She buckles up these beauties and admires them. Maybe a pedicure would help. She gets up and wobbles off to the Owl Liquor store trying to remember how to walk in heels over concrete, click, click, wobble, wobble.

Beth buys ten tiny airplane size bottles and loads her purse with them. No matter who’s behind the counter, Beth is told that the larger bottles are much cheaper. She’s not an idiot. Hide the evidence. She knows she will drown, as well.

Mercedes Lawry

Mercedes Lawry has published short fiction in several journals including, Gravel, Cleaver, Garbanzo, and the previously named, Newer York. She’s published poetry in journals such as Poetry, Nimrod, & Prairie Schooner and has been nominated for a Pushcart Prize three times. Additionally, she’s published stories and poems for children. She lives in Seattle.

 

Sooner or Later

Mama run away again. Pap says she is high strung and she’ll be back when the strings loosen. Gram shakes her head and gives me a shave of chocolate. I don’t cry anymore cause I’m big now and I know things just is. I think about going out to pester Pap’s old yellow dog, Hy, under the cottonwood tree, but he don’t always like being woke up and he might nip me and it ain’t worth that. I might go down by the creek but I gotta be back to do chores for Gram before dinner and it’s easy to forget time down the creek. I start dreaming or pretending and when I’m late, Gram’s mouth is one straight line and she looks disappointed and I feel bad. If it wasn’t for her and Pap, I’d be in an orphanage and Mama would be locked up in a crazyhouse or even jail. The world doesn’t take kindly to the high strung, Pap says.

Sometimes Mama is sweet and calls me her best baby even tho I ain’t a baby but I like it when she’s nice and holds on to me. I wish she would be that way all the time, I wouldn’t mind the baby calling. Gram said I had a brother once but he died before I got here. I’m not allowed to talk to Mama about him but I know where he’s buried. I wish he wasn’t dead cause he could help with chores.

Mama gave me a secret. After I found the knife under the bed she said this is our secret. I couldn’t tell Gram or Pap. I found it when I was putting my treasure box under there – some stones and shiny buttons and a bird’s bone head with the beak and all – Pap called it a skull. Don’t they need the knife, I asked her, Gram and Pap? It’s not their knife, Mama said. It’s ours. I don’t know how she got a knife, maybe one of those times she run off.

The thing is, she took it with her. Maybe she needs it to get food in the woods. When she comes back, I’m gonna ask her did she kill a squirrel? Maybe it’s in case somebody tries to hurt her though I don’t want to think about that too much. She would stab them dead fast as lighting – that’s how I see it.

After he finds the paper with the scratch marks remarking how many days Mama’s been gone, Pap cautions me not to worry, she’ll be back like she always does. I consider telling him about the knife but I don’t. I wonder does the knife make a difference on when she’ll come back – sooner or later? If she don’t come back, I’ll tell about the knife.

Heather Dewar

Heather Dewar LangnerHeather Dewar is an award-winning writer whose work has appeared in the Bellevue Literary Review, New South, The Dirty Napkin, Utne, The Common Review, and the Chicago Reader among others. She lives in Minneapolis.

 

ID

“It’s usually the easy answer.”

Billy looked up.

The girl sitting next to him smiled. “It was just that you seemed worried.”

He thought she might be making fun but her smile looked like she meant it. Billy opened his mouth to speak.

“No helping.” A man frowned from behind the front desk. Billy turned back to his screen. He was here to replace his license. He had been living in Chicago six months. Three weeks before, he had been walking home, late, when a man with a gun stopped him on the street and demanded his wallet and phone. Billy emptied his pockets onto the pavement. Afterwards, he vomited into the street.

The girl slid out of her desk. Billy watched her walk to the counter. He wondered how she had known he was nervous. He furrowed his brow when he was tense. Sometimes, he jiggled his leg. Now, he put his hand on his thigh to stop it.

A picture of two cars colliding appeared on the screen. To avoid an accident you should know where your vehicle will be in: a) 5 to 10 seconds; b) 10 to 15 seconds; c) 15 to 20 seconds. Billy chose answer “a.” Since the mugging he couldn’t sleep. When he closed his eyes the night replayed. The gun at his chest, the bile in his throat, the feeling that someone had kicked in his knees. They found the guy who did it. They picked him up at an ATM. The detective who had been working on the case called to tell him. One more asshole off the street, he had said, but Billy didn’t feel better.

He read the next question. When driving in a fog you should use: a) fog lights only; b) high beams; c) low beams. Out of the corner of his eye he could see the girl. She was standing behind a white line on the floor, smiling for her picture. In college he had played a game with his friend, Pete, called ID. When you saw a girl, you had to remember everything about her: the color of her hair, her eyes, her skin, how tall she was, the size of her boobs. You had to be able to pick her out of a line up. Billy got so good his nickname was Photo. After the hold-up the police had asked him for details. Anything you can tell us, they said. What did you see? Billy remembered only the gun.

The driving test came to an end. Billy stood and pushed in his chair. He walked to the counter. A man in a blue work shirt told him to stand behind the white line for his picture. “On three,” he said, when Billy was ready, and Billy stood and waited for the flash. There were things he remembered about the night of the mugging. The walk from the train had been cold. He’d wished he’d had gloves. Snow had been falling, silent and fast. He had come from a bar that was noisy and full and as he walked he’d felt glad for the silence, for the sudden feeling of space. He’d put his hands in his pockets and looked up at the sky.

“We’ll call your name when it’s ready,” the man said, and Billy walked to the end of a row of blue plastic chairs. The girl was leaning against a counter now, scrolling through her phone. That night he had felt a slow certainty, of himself, of his life. The gun had emptied his confidence onto the pavement.

The girl straightened up from the counter. She glanced in Billy’s direction.

“Okay Photo,” Pete said, each time they played. “What do you see?”

Billy thought of the fast falling snow. He thought of the cold and the silence and the open night sky.

“William Sims,” the man said, and Billy stood to retrieve his ID.

Michelle Elvy

Michelle Elvy is an editor and writer based in New Zealand. She edits at Flash Frontier and Blue Five Notebook, and is on the editorial teams of Flash Fiction International and the Best Small Fictions series. Her poetry, fiction, and creative nonfiction have been published in numerous print and online journals. See http://michelleelvy.com/

 

Black and White and Grey

In the gloaming she sees his tall shape across the street, hunched shoulders under a black coat slumped to worry. She steps off the curb and hurries to him. She wants to ask him how was your meeting, did you get the red wine for dinner, do you remember that the Lamberts are coming but it’s cold and the wind hurts her teeth so she lifts her head slightly to the left instead and as she slips her palm into his she feels him grip her small hand and squeeze tight.

In the gloaming he sees her silhouette crossing the street, small neat steps with white socks peeking from under tailored trousers. He wants to tell her they read my father’s will today, my brother says my sister won’t come, I forgot to get the red wine for dinner but he feels a chill on his spine and in the moment that she tilts her head toward him he knows he doesn’t love her but he squeezes her hand anyway and notices that her grey felt cap looks just right.

Katie Cortese

Katie CKatie Cortese is the author of the collection Girl Power and other Short-Short Stories (ELJ Publications, 2015). She holds an MFA from Arizona State University and a PhD from Florida State, and her work has appeared or is forthcoming in Gulf Coast, Third Coast, Blackbird, Crab Orchard Review, Willow Springs, and The Baltimore Review, among other journals. She currently teaches in the creative writing program at Texas Tech University where she also serves as the fiction editor for Iron Horse Literary Review.

 

Quitting Time

Allie shouldn’t call the house and hang up when he finally answers. She shouldn’t cruise by after work to make sure he’s brought in the mail, slowing to judge by the slit in the curtains if the living room light is on. She shouldn’t worry if the house is dark. He’s probably just sleeping. Or out walking the dog, the rangy retriever who’ll need hip surgery in another year, and whose breath always smelled to her of hot dogs.

She knows she shouldn’t Google Map his address either, those familiar numbers that used to be hers. The site hasn’t been updated for their town in a year and a half and the car in the satellite picture is her gray PT Cruiser. She shouldn’t linger on the webpage in the den while down the hall and around the corner, Gregory hums over his ratatouille in the kitchen. She knows it was her decision to leave. It wasn’t quitting, they told her. She was just rebooting her life for the happier one she deserved.

Allie shouldn’t keep a pack of cigarettes in the glove compartment, or sneak puffs in the driveway, facing her new house like a prowler scoping out the easiest point of entrance. After each cigarette, she tells herself she’s quitting, right then and there. Sometimes she does, until something else reminds her. The triggers are unpredictable. It’s not always the apple-cheeked babies in the life insurance commercial. They’re simply other people’s children. And the terrible one about whooping cough with an asthmatic wheeze for a soundtrack—that one makes her nauseous, on principle—just not in a personal way.

But at least once a week, something triggers a memory, sharp as a blade, of her life in the blue ranch on the corner of Liff and Persimmon, the one where now the hedges go untrimmed. Last week she woke up to “Shake, Rattle and Roll” on her radio alarm and sat up in a panic: no cry had woken her in the night for feeding or a change, or just the touch of her hand. She’d thrown the quilt off her legs and had made it to the hall before she remembered where she was, where she’d lived for a year now, a Cape Cod on Jubilat, with Gregory, who was a good man, and patient with her grief.

Tonight it was an email, just an automated reminder from the pediatrician’s office about shots her son no longer needs. Tomorrow, I’ll quit, she thinks, stubbing out her cigarette in the driveway. Her same old promise; not quite a lie, since tomorrow never comes to collect on all she’s owed. The charred end of the Marlboro leaves a dark blemish on the smooth concrete. She spits on it and scuffs the spot with her toe, but only spreads the ash around.

Inside there is a fire in the woodstove, it’s chilly enough to need one now. Inside there is a man who never met her infant son, the child who no longer sighs sour milk into his jungle-themed sheets. Inside are shelves and shelves of books and the lingering smell of supper. Inside is peace, if she wants it, and sometimes she does, but still she feels for her keys in the pocket of her peacoat, slides behind the wheel of the Cruiser her former husband had mocked when she bought it, though if given the choice, he’d take it to the store instead of his Camry.

Automatically, she puts the car in reverse. Just a quick look, she thinks, adjusting the heater, and then tomorrow, tomorrow I’ll quit.

Sherrie Flick

Sherrie FlickSherrie Flick is author of the novel Reconsidering Happiness, the flash fiction chapbook I Call This Flirting, and the forthcoming short story collection Whiskey, Etc. (Queen’s Ferry Press, 2016). She lives in Pittsburgh.

 

Now

The coffee shop is full, or full enough. I hide in the back, wait. My maybe-date doesn’t show. “The alarm clock didn’t go off,” he says to me when he calls. To get to the coffee shop on time, I sprinted through my morning brushing of teeth like a comedy routine, throwing on clothes, making hasty decisions, pissing off the dog and the cat and my neighbor, Jim. But still. I’m polite on the phone, as he talks about late nights and the need for a new, better alarm clock.

I do doubt the problem is the clock, but I encourage him to, yes, buy a new one. I say it’s okay, because it seems he will not stop apologizing until I do. I hate that I’m bullied into forgiving him, and when he calls to reschedule I pretend like I’ve accidentally deleted his message. There’s a kind of joy in fooling yourself and then lying about a mundane detail.

“Oh, I didn’t get that message.”

And I take joy where I can; these tiny moments add up. As I’m walking my dog I think about all the missed opportunities, all the rushing. What if you got that back—like a time refund?

And today there’s my near-date, in fact, sitting in a different cafe on a different day talking to a different woman as I walk by. I turn, walk by again. I turn, walk to the plate glass and tap. Tap-tap. Wave. He looks up, touches the woman’s hand to stop her mid-sentence, nods to me and then heads out into the cold without a coat. I’m bundled tight and ready to wait this out. The dog sits, sensing this will be a long one, deciding to be a good boy because perhaps he remembers that this particular cafe has doggy treats inside by the register.

“Hey,” the almost-date says. “I tried to call you to hook up again.”

“Oh, hey,” I say. “I didn’t get that message. Weird.”

“Weird,” he says. We both look at the dog, who looks across the street, his main focus being sitting like a good boy. Shoulders back. Ears up. “So,” he says. “Let’s reschedule?”

I look inside the cafe at the woman with her back to me, sipping on a cup of tea, fiddling with the paper flag attached to its string. Her fingers are fine and beautiful. Her hair looks nice from the back, auburn and wavy and lush. I wonder how many people he has in his life. I know I don’t have very many to meet up with these days. I feel homesick for something. I suddenly feel so much at once.

“I just can’t bear to be stood up again,” I say. “So let’s just call it that, okay? It was a date and now it’s run its course without even starting up. Efficient.”

He looks inside the cafe, perhaps thinks the woman’s hands are beautiful too. Maybe this is the moment that he falls in love with her? In a few years they will marry, this man and the woman with the tea. They’ll walk arm in arm around the neighborhood and smile at me in the dwindling light. They’ll get a dog of their own. A beagle who eagerly sniffs my dog’s ass.

For now, my own dog has decided his good dog time is up. He whines a little and then lifts off his haunches and pulls gently on the leash. “Okay,” the man says. “I didn’t know you were so sensitive.”

“Not sensitive, really. Just pragmatic,” I say. “Plus, you don’t know me at all.”

He sighs then, looks across the street at the rows of houses lined up and quiet in the mid-afternoon city street their window boxes stuffed with dying flowers. He says, “I’ve seen you around this neighborhood for months. I always thought it was beautiful, the way you stepped carefully with your dog. I loved watching you walk and walk around the blocks around here. I loved that you smiled at me. Just wanted to let you know that.” He shifted his weight from one foot to the other, touched my arm. “I also know,” he says quietly, “that sometimes I can be an ass.”

I nod. I say, “Thank you.” The dog pulls steadily now and barks once. I smile at the man. “Thanks.”

I think about all of this later, of course. After he’s married. I think about time stretching and bending and moving in other ways instead of this one. I imagine him showing up at the coffee shop. I imagine ordering tea, playing with the tea bag while he talks to a woman for too long on a cold fall day, outside the cafe, my back turned to him and her, but feeling the heat of their conversation through the window. I imagine waiting patiently while conversations inside murmur all around me. I imagine turning to look out the window, as this beautiful woman does just now, and seeing him with her, touching her hand then hugging.

I wonder which woman I want to be.

Neil Carpathios

Neil CarpathiosNeil Carpathios the author of three full-length poetry collections and various chapbooks. Fictions have recently appeared in: The Ampersand Review, Underground Voices, Mayday Magazine, LitroNY Magazine, Miracle Monocle, and Lime Hawk Quarterly (which nominated my short story, “Poets and Scholars” for a Pushcart Prize). He also recently edited an anthology of regional literature, Every River on Earth: Writing from Appalachian Ohio (Ohio University Press, 2015). Carpathios is an associate professor of English and Coordinator of Creative Writing at Shawnee State University in Portsmouth, Ohio.

 

The Man with No Future

Nathan had just finished his pork fried rice and spring roll when the waitress brought him the bill and complimentary fortune cookie. He cracked the cookie in half but nothing was inside. He checked to see if maybe the tiny slip of paper was jammed in one of the cookie’s crevices, but there was nothing. This had never happened before in his life, let alone at Chang’s where he stopped for lunch a couple of times a week. He called the waitress over. He pointed to the broken cookie. He explained.

The waitress apologized, reached into her deep apron pocket, and handed him another one. He broke the new cookie open—and once again, there was nothing inside. He stared down at the yellow cookie pieces, then became self-conscious and wondered if anybody at a nearby table noticed. Did they see his puzzled face, or was it scared, or maybe even a little relieved, as he looked at his watch then balled up his napkin and stood up, starting to walk, peeking one more time over his shoulder at the shards like ancient relics in a museum on his plate?

As he stood at the register paying, he imagined that somebody who witnessed the scene thought it was like a one-act play called “The Man with No Future.” This made Nathan smile to himself. He handed the waitress, who now was the cashier, a ten and told her to keep the change.

There really was nothing strange about all this, Nathan thought. In fact, what was strange is that this had never happened until now. Surely mistakes were made in factories where fortune cookies were produced. He pictured an assembly-line of cookies shaped like small seashells, Chinese workers in white smocks quickly stuffing them with fortunes. The workers start to gossip, get distracted, and miss a few here and there.

The next afternoon, Nathan went to open the mail box slot with his apartment key. He hated these cramped mailboxes; the mail usually jammed and twisted the letters to fit. There was one envelope. Nathan reached in, squeezed it out. He flattened it against the wall with his palms to crush the wrinkles. It was addressed to Blake Graham, his birth name before he started going by his middle name, Nathan, and his mother’s maiden name, Hercules. It was twenty-odd years ago when his father committed suicide and he felt compelled to shed his skin, to take on a new identity—at least in terms of his name. He was a teenager and thought the pain and confusion might die away if he could imagine being a brand new person. His mother, who despised his father and was divorced from him, encouraged Blake to discard his father’s name and was pleased with Nathan as well; her husband had decided on Blake, which she never liked much.

Odd, Nathan thought. He had not received any mail with his birth name for longer than he could remember. Everyone, even bill collectors, knew him as Nathan Hercules.

Nathan didn’t wait to get back into his apartment. Standing there in the hall in front of all the other mail slots, he opened the envelope. Before he could pull out the paper, a woman in slippers he didn’t know although he’d seen her a few times walked up to get her mail. She used her key; the little metal door opened like a small safe. She coughed, nodded to Nathan, and then he waited for her to leave along together with a trail of cigarette stench.

Alone again, Nathan pulled out the paper which was neatly folded. It was clean white stock, nice quality. He unfolded and looked: the page was blank. Not a mark.

“What the hell?” Nathan thought. There was no return address on the envelope.

“Shit happens, I guess,” Nathan told himself as he walked back up to his apartment.

A few days later he was walking on the sidewalk in front of his apartment building on his way to the drugstore. He was out of band-aids and had another paper cut—occupational hazard from handling the hundreds of papers his college students turned in. With his index finger wrapped in a napkin, he took long strides, wanting to quickly walk the three blocks there. He nearly stepped on something. He looked down. In the middle of the sidewalk was a small bird’s nest. Nathan picked it up. There were no trees anywhere nearby, so how did it get there, he wondered. The nest was empty.

It wasn’t until the weekend when he was at Walmart buying new socks, he picked a bargain CD out of a bin for $2.99, “Johnny Cash Greatest Hits”— which was his father’s favorite artist, and his own, because as a kid he’d stand in the driveway watching his dad work with tools on a truck’s engine while “A Boy Named Sue” or “Ring of Fire” floated in the air from inside the garage—Nathan got inside his car in the parking lot, peeled off the tight plastic wrapping, opened the CD case eager to pop in some music, and found the case empty. He couldn’t ignore the strangeness any more.

The next morning before heading to the college he pulled a dictionary off his shelf. He looked up the word coincidence. “Exact correspondence in substance or nature” and “a concurrence of events with no apparent connection.” The word that jumped out at him was “correspondence.” Nathan looked up the word correspondence. “A close connection. A similarity. A communication or message sent or received.”

His father and mother divorced when Nathan was twelve, so amidst the normal chaos of adolescence the emotional earthquake of a family split intensified teen tectonics. His father moved away, took a job somewhere else. Nathan rarely saw him, and his mother discouraged long-distance visits. She also worked on her young son’s mind to create false memories and paint a portrait of a negligent, hard-drinking, and callous father. And when his father let the train run over him in the middle of a September night, and Nathan’s mother explained what had happened, Nathan felt more than just an earthquake. He couldn’t help imagining what it felt like to have a train crushing your body or why anybody would choose to die that way. For years after, the quaking, exploding, tremors— whatever word might come close—kept him awake nights and tortured him into self-destructive behavior such as drinking and drugs, and eventually pushed him toward the decision, nudged by his mother, to replace his name. He buried Blake Graham in a deep hole inside his chest.

For the whole week, Nathan was distracted. He had trouble getting through his classes. He couldn’t grade papers. He felt as if he were sleepwalking through the days. He hardly slept, didn’t have much appetite, and kept noticing other things: a plastic water bottle in a twenty-four pack he’d bought at the grocery without any water; a malted milk ball he bit into with just chocolate and no hardened milk center; a peanut shell he cracked open sitting on a stool at his favorite bar, Rocky’s, without a nut.

Nathan’s father was a simple man, he thought. At least those were his memories of him. He worked on cars, smoked cigars, and watched football. He had been a landscaper in summers and snow remover in winters. Manly stuff. Nathan remembered how his hands were always cracked and creased, black grime permanently lodged under his nails. His mother used to scold his dad about it.every morning during coffee and every night during supper.

“Damn, Leo, can’t you at least clean your hands! It looks like you’ve been digging crud your whole life.”

He remembers his father lifting coffee to his lips, thick fingers wrapped around a white mug. “Well, sweetest petunia, these hands are what bring home the bacon. Besides, a man should have a little grit and grime on him. Or would you rather I manicured and held my cup with a pinky sticking out like some fruitcake?”

His mother would sometimes let up, just huff, but sometimes not.

“Come on, Leo. It’s disgusting to look at when we’re trying to eat. Conjures all sorts of disgusting thoughts.”

“Like what, for instance?”

Now they’d be looking right at each other, eyes sending out beams of searing anger like death-rays in some science fiction Martian movie.

“Like you scratching up deep somewhere in private where the sun don’t shine. Or wiping without toilet paper. Or you…”

“Shut up. The boy is sitting right here between us. Do you have a brain in your head?”

The landscaping and snow removal business had been declining every year. There was just too much competition. Nathan remembered his father taking part-time jobs, once giving him a ride in a taxi when he briefly filled-in driving for a sick friend. This increased tensions between his parents, the squabbling intensified. Lack of money, dirty fingernails—it all added up.

Then one day, the talk when they sat him down.

“Son, your mother and I have decided it would be best for me to move out. We just don’t get along, I know you know. We’re nicer when we’re apart. Hell, two angry birds need their own space to fly so they can maybe turn nicer. It would be best for you, too. You must be sick of all the squawking around here.”

“Yes, Blake. Your father is right for once in his sorry life. And it has nothing to do with you. Don’t you ever think that. This is between your father and me.”

So it went. Like so many other families all over. Nathan knew that the settings might be slightly altered, the key players different, but the basic drama was universal. Most of his own friends had come from divorced families. Then his father moved out. Moved from upstate New York to southern Ohio to take a job with an old pal who owned a tire repair shop. Then his pal’s business went under and his father was hired at a local grocery store loading and unloading food delivery trucks.

For a while, Nathan received letters, cards, and packages from his dad. In fact, his father seemed more expressive than he had ever been when he lived in the same house. Maybe, Nathan thought at the time, the old truth was in play—how a person who loses something suddenly tries hard to get it back. Maybe his father felt guilty about leaving. Maybe his father was doing it all just to feel better about himself. At first, Nathan would sometimes call and thank him, once even wrote a letter back. But then Nathan started to resent how his father ran out. He should have stayed to fight it out, he thought. The correspondence slowed down, eventually stopped.

Nathan remembered the last thing his father had sent him. It was a small box with muscle car magazines, candy bars—and one strange item: a fortune cookie. In the enclosed note, his father wrote:

They were handing out fortune cookies at the store, promoting some new Chinese noodle lunch packs. I took one and thought of you. My future doesn’t matter much, but yours does. I hope it’s a good one!

Nathan tore open the plastic wrapper, then broke the cookie open. He pulled out the tiny slip of paper and read: Freedom is not the bird’s flight, but its decision whether or not to fly. Nathan remembered not understanding, thinking what a stupid fortune. Of course, now he only vaguely recalled it having something to do with a bird, or flying. He crumpled the paper and crammed the tasteless cookie chunks into his mouth, crunching. A week later, his mother greeted him at the kitchen table with the news.

Nathan was not superstitious, but if his dead father was trying to send him some kind of message, trying to correspond after all these years, what was he trying to tell him? Empty things, things missing, things suddenly turning blank or silent. Or was it something other than his father trying to connect with him? Was he crazy to even consider such notions?

It was a little after nine in the morning, a Saturday, and Nathan sat drinking coffee on his couch that he had strategically placed to face the small window looking out onto the street. The window was round unlike most windows, like the porthole of a ship. He wondered if the architect had been a naval man. From outside the round windows gave the building a uniquely odd appearance. He listened to the muffled sounds of passing cars and gazed up at a dirty gray sky. The view was lousy but he was grateful to at least have this small opening which he sometimes imagined was the apartment’s eye or nostril or ear from which inside the room’s skull he peeped out. He was a prisoner of the apartment’s brain, he’d think to himself, trapped behind bony walls. He’d leave the apartment and continue the little drama, pretending to escape, finally free, standing on the sidewalk looking back at the apartment building which resembled a hulking brick beast.

Nathan gulped the last of his coffee, grabbed his leather jacket, and headed out. He did not stop this time, but did look over his shoulder at his small window, that today resembled a pore in the bricks’ skin allowing the beast’s rust-brown body to breathe. Then he looked again, and noticed it may have been the blow-hole of the building, the kind a whale has. He thought if this were a one-act play it might be called “The Man Who Thought Way Too Much about a Window.”

He probably thought way too much about everything. That was his problem. So what that his parents divorced? So what that his father killed himself? So what that things happen without any real explanation? Maybe that was the message his father was trying to send him: to stop trying to make sense of it all, just let the mystery of living unfold. Maybe that was the real fortune in those cookies written on invisible paper in invisible ink. He just couldn’t see them. Then he caught himself thinking about the blank paper in the envelope, the nest, the TV, the radio, the other things. “There you go again, asshole,” he actually said out loud to himself as he strode looking down at sidewalk cracks. “There you go like an obsessed lunatic.”

Or maybe, he thought, he was just not smart enough to figure out little clues that most people would easily decipher. He imagined his father orchestrating the recent doings, starting with the fortune cookies, getting frustrated that his son wasn’t “getting it.” He saw his father rolling his eyes somewhere, probably thinking his son would have to be hit over the head with a hammer before he understood.

Nathan slapped himself on both cheeks with the palms of each hand. “Stop thinking, dammit.” He looked up and saw a crow on a phone line looking down at him. “My dad disguised to spy on me.” He slapped himself again.

Outside Chang’s, Nathan stopped to look into the big front window. It was still early for lunch and he watched workers setting tables, one sweeping with a broom. The special today, hand-printed with red ink on poster-size paper behind glass, read: Sweet and Sour Fortune Cookie Chicken and Orange Sesame Fortune Cookie Cupcakes. Nathan moved closer to make sure he wasn’t hallucinating. He read more: In honor of National Fortune Cookie Day. It was September 13. He had never heard of such a holiday. “You’ve got to be kidding me,” he said out loud. In smaller print at the bottom: The first fortune cookie was invented in 1920 at the Hong Kong Noodle Company in Los Angeles, California.

“Wow, my dad is using that hammer now,” Nathan thought. “OK, dad, you want me to do something, what is it? Go inside and order the special? Or is this a test? Let’s see, you want me to keep walking and forget about it? You want me to have lunch but resist the temptation of anything having to do with fortune cookies and order something else? You want me to go to Walmart and buy another Johnny Cash CD? You want me to say I’m sorry? You want me to forgive you?”

The door of Chang’s opened and a young Chinese man with blond-dyed hair and a stud earring poked his head out. “We’ll be open in a few minutes. Happy Fortune Cookie Day!”

Nathan nodded. Then he looked back to the crow, but the crow was gone.

“A group of crows is called a murder,” Nathan thought. “Maybe a single crow is a suicide.”

A young couple came up and paused looking at the poster in the window. The man in a black beret and woman with one long ponytail read, then simultaneously looked at each other and said, “National Fortune Cookie Day?” They broke up laughing, then looked over at Nathan.

“If this were a one-act play, what would you call it?” Nathan asked the couple. They looked at each other again, slightly confused. Then Nathan walked away, passing shops, crossing streets, weaving in and out of bodies on sidewalks, sometimes looking up at the phone lines wondering about that crow, not sure where he was going, but the day was crisp and the further he walked his head felt—at least for now—suddenly clear.

Philip Kobylarz

Philip Kobylarz has been published in Connecticut Review, Basalt, Santa Fe Literary Review, New American Writing, Poetry Salzburg Review and has appeared in Best American Poetry. His book, Rues, was recently published by Blue Light Press of San Francisco. His collection of fiction, Now Leaving Nowheresville has been recently published and his book-length essay “Nearest Istanbul” is forthcoming.

What’s On The Other Side Of Doors

You always hurt the one you love, so they say. Maybe they meant the one you love is always hurt. For some, it’s like trying to write a letter in the rain. The kind of rain it rains when the sun is shining, tucking in and out of grey weather clouds. The kind of rain that feels cold at first, then becomes warm as it soaks into the skin, like a bitter liquor falling down the throat. Maybe it’s more like gardening with someone like a sister: bending down, getting dirty, digging holes, with nothing to say to each other about that vague conception called a family, plans for the future, sibling small talk and advice, and simply working some good fingernail clogging, back breaking work that’s more about the spaces created between stalks and holes in the ground than the growth of something flowery and green. Or it’s like waiting for the mailman on a day when there’s nothing to do—knowing his name (only the first) and about the time he comes, knowing he’ll be wearing the same clothes that he is by law required to wear, knowing he’ll look just like he did yesterday only a little less or a little more tired, knowing that someone maybe he doesn’t even know or care to delivers his mail and wondering if he makes the same types of gestures, on Saturdays, to him, a forced hello how are you, a smile that says you have something that’s important for me to want, then to watch him go to the next house, and the next, in an unending series of lawns, shrubbery, sidewalks that finally results in his own, to a kiss from a hardworking lover and a few gurgled cheers from a baby almost old enough to talk, and a pile of bills, flyers, car payment booklets, summons to court, alimony checks, subscriptions to paper-covered magazines all sent to the wrong address.

Premiere Issue

Issue 1.1: Summer 2012

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“Photosynthesis” Photo by Gin Conn

 

“Gray with Warm Lights”
Photo by Robin Grotke